
Growing up in Kabul 14-year Nazanin always dreamt of going to school. But her father Ghulam, a lay-about addicted to gambling and heroine, sent her to work in a carpet shop instead while her younger sister, the spirited 8-year-old Laily, scavenges the streets and hustles for a living. The girls dream of the day when everything would be different. Instead, their father sells Nazanin to Sarwar Khan to settle his debts and Nazanin finds herself married to a man twice her age. She soon finds herself pregnant but when her husband finds out the child is a girl he is infuriated, and his decision sets off a chain of events that changes everyone’s lives forever.
Directors
Saleh Sepas, Jo Kukathas
Writers
Saleh Sepas, Jo Kukathas
Producers
Tan Cher Kian, Jo Kukathas, Saleh Sepas, Amin Kamrani
Dramaturg
Jo Kukathas
Set Designers
Lian Kian Lek, David Wong, Jo Kukathas
Set Builder
David Wong
Lighting Designer
Ee Chee Wei
Lighting Operator
Muhammad Syarafi bin Saadon
Sound Engineer
Kelvin Lo Kai Wei
Stage Manager
Woon Siew Yin
Asst Stage Manager
Bobo Sing
Crew
Chiew Zi Xing
Props Master & Crew
Joanne Ooi
Subtitles
Zabihullah Hossaini, Reza Rosli, Hasan al-Akra, Farah Rani, CK Tan, Jo Kukathas, Leong Jie Yu
Subtitles Operator
Zabihullah Hossaini
Poster & Graphic
Ali Rabiei, Allie Hill
e-Programme Book
Low Pey Sien
Website
Reza Rosli
Front of House
CK Tan, Phui Yi, Mellissa Mustafa, Muhamad Iqmal B Md Roslim, Lian Kian Lek
Photography
Amin Kamrani
Cast
Farzana Yakta, Ali Reza Hussaini, Medina Hosseini, Masooma Sepas, Shamim Sepas, Abolfazl Jafari, Hassan Hussaini, Abbas Yousefi, Abdul Hamed, Roghayeh Yoosefi, Hamid, Dunia Haikal, Majd Hasan, Aunger Aung, Farah Rani, Yasna Hussaini
Produced by
Parastoo Theatre and The Instant Café Theatre Company under their Bronze Lion Project and FIRSTWoRKS.
Soooo And Then Came Spring happened……
I am proud and grateful to have been a part of the production And Then Came Spring a collaboration by Parastoo Theatre and Instant Cafe Theatre
Growing up in a society that rejects you and your community is devastating. And the journey to seek identity and break through the stigma and stereotypes people have about refugees is really hard.
Aside from lack of basic needs, the freedom of expression is also suppressed for refugees. For the longest time, I was stuck in this box of labels people put on me that I forgot I am a person of my own and with my own color and uniqueness. I was scared to show the world my capabilities and lost confidence in myself because of my status so I suppressed myself more and more.
By being a part of this production not only I took a chance on myself, but it was an opportunity I got to showcase to others of what we can become if we weren’t afraid anymore. It’s not easy to stand in front of hundreds of people and actually talk about the truth. I’m happy now that I could have this opportunity to create more awareness. The theatre gave me the confidence to openly speak up about these issues.
Not only that, I got to meet others who are also like me and the way they carry themselves and how they interacted and supported each other. It inspired me and gave me strength. I would not have had the confidence or strength to stand on the stage if it wasn’t for them.
Both Saleh and Jo believed in me, and if it wasn’t for their guidance and encouragement I would not have been able to do it. As well as my friends who acted with me at the production, their countless “You can do this, Aunger!!” really made this possible for me. I was so happy at the end of the day and until now I still couldn’t believe I did it.
Many of my close friends, and some Malaysian friends came and supported the show too which made it very memorable for me. I hope I can continue to do more amazing shows like this in the future.
~ Aunger Aung, actress